An anonymous post on the same site compared him to Vladimir Putin. Hundreds of comments on Parterre, the leading opera blog, poured scorn on Gelb. For the Met to be absent from its review section would have made nonsense of the publication’s title.Ī considerable Internet furor ensued. Because of Opera News’ s affiliation with the Met, no reader has ever had the expectation that its writers are entirely free to speak their minds about the company, but a great deal of knowledgeable criticism has appeared in its pages over the years it is the only media outlet that covers the American opera scene in anything like a comprehensive manner. Fred Cohn, a regular Opera News contributor, had criticized Robert Lepage’s staging of “Götterdämmerung,” the final installment of a new production of Wagner’s “Ring,” and Brian Kellow-the magazine’s features editor and the author of an acclaimed biography of Pauline Kael-had followed up with some harsh words about the current Met regime. Wakin reported that Opera News, a magazine published by the Metropolitan Opera Guild, had elected to discontinue reviews of the Met, evidently under pressure from Gelb. It began with a page-one story in the Times: Daniel J. Even those who have defended Gelb’s artistic choices at the Met-I am not one of them-must have wondered at the bizarre sequence of events that unfolded yesterday: it appeared that America’s leading opera company was cracking up in public. “I think I made a mistake,” Peter Gelb, the general manager of the Metropolitan Opera, said yesterday.
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